athens reminds us of berlin right after the wall. gritty, chaotic, dirty, and partying like there’s no future. dream weapons is a reflection of these confused greek days. with limited means and a diy attitude he builds harsh, lysergic, electronic dreams on the ruins of a once splendid empire. mrt is the perfect place to do so. we believe in total failure.

adam x is back with his third album release under his industrial guise, admx-71. following releases with the legendary label hands and his own imprint, sonic groove experiments, adam paired up with l.i.e.s records in 2014 for redacted files, a 12 inch single of slowed-down and tense ebm wizardry. adam returns to the l.i.e.s. front with coherent abstractions, a brand new album of singular experiments that pull from every corner of electronic musics landscape into a comprehensive and propulsive full-length.

chicago party collective debuts their vinyl-only label with berlin based artists. 2 original tracks + remix from martinez. gem 1 takes off with upbeat stripped down groovy bass line, gem 2 + remix head for the deep after-hours sessions.

fuelled by a rediscovery of the music and artists that originally inspired their formation, the four walls of their studio were ablaze with a soundtrack of bill withers, isaac hayes and the isley brothers throughout the songwriting process for their new album. from the swagger of symphonic opener wanderlust to heartfelt ballad lose that way to the thunderous blues of the closing title track, the milks confidence in these songs and their execution is clearly audible. captured in a tireless outburst of creativity at the end of 2014, favourite worry is the milk at their soulful, honest and engaging best.

the 2nd album fro british singer and musician john newman as vinyl lp with all 14 tracks from the deluxe cd edition. >includes a 12 inch booklet with fotos, infos and liner notes and a download code.

its been a long summer without the infectious draw of the triple-s voodoo guiding you towards the dance. when any sane individual should be nestling into furs and sheltering from the climatic downturn, we return with an urgent need for everyone to throw everything to the floor and make out with the music like the sun still beats down on your skull.

stamp s back with jascha hagen paying homage to west africa s afrobeat pioneer & a certain female jazz instrumentalist from the famed blue note catalogue. the leipzig based producer first came to the attention of the label after he dropped the outstanding pan that shit out ep on manna all night. here the open minded producer showcases a different side to his production style with two surefire edits that will work wonders wherever they re played. pitched down and spaced out, soldier on the a side is an edit of a politically charged nigerian anthem. this slow burner keeps you locked in with instantly recognisable keys, subtle guitar licks and a rolling bass line that will even make the stiffest necks nod in solidarity. harlem takes you back to a sun-soaked day with this classic 1970s nyc soul anthem dedicated to the road that loops around the north tip of manhattan. jascha takes the jazz-funk anthem and adds extra instrumentation to create a subtle 2015 update...

nice price deal !!! coruscating cut-ups yanked still dripping and yowling from the belly of the beast. dazzling and invigorating, scary and discombobulating. ‘psychic driving was a psychiatric procedure in which patients were subjected to a continuously repeated audio message on a looped tape, in order to alter their behaviour… often hundreds of thousands of repetitions of a single statement over the course of their treatment. they were also concurrently administered muscular paralytic drugs such as curare… the psychic driving procedure was a chronological precursor to cameron’s depatterning, involving massive doses of ect combined with similarly large doses of psychedelic drugs like lsd. the intent was to break down the subject’s personality — theoretically psychic driving could then be used with some efficacy in establishing a new personality’ (hanson records).

with growing support from technos finest selectors, this uk label is fast becoming one-to-watch if sci-fi-laden machine music is your bag. dark arts 06 rolls out with ‘gallery’, a crafty slab of organ-burning techno. to follow, rugged detuned bass throbs throughout the raw but funky as hell stealth-houser ‘spare groove’. the aquatic electro of ‘opaline’ is a delicate, percussion-driven ride until the chest-caving bottom end hits.to finish, ‘atrium’ is a deadly, percussion packed minimal groove - heads down and eyes closed for this tense space jam. highly recommended!

re-issue of the 3rd album by the weeknd, originally released in 2011. the double 12 inch vinyl comes in a gatefold sleeve.

phil hinter ensemble is a joint project by phil s main pillars philogresz and simon hinter as they present their longawaited debut solo ep with 4 intimate pieces. simon hinter s smart grooves and sample based fill-ins blends with the wombastic bass and shivering synth lines of philogresz. u will love this!

r&s records are proud to announce ‘gel’ a new ep from moiré. pulsating and hallucinogenic, it’s tripped out dancefloor experimentation at its best.

earthly versions sind grandiose, bassgetriebene clubremixes aus dem aktuellen jam city album *dream a garden* für zwei ausnahmetracks. plus der bislang unveröffentlichte bonustrack *dream 15*.

music is love s sister label mil returns quickly returns after the dark and edgy warning ep by kastil and the tougher sound seems to have stuck around in this their 7th release. muscle house sees young irishman chris hanna step to the plate with his very own brand of tough synth driven electronic music. having just released on ejeca s own imprint this is a name you ll be hearing more of. opening the ep is drone, a rough distorted track that is narrated by the constant synth buzzing above the heavy groove laid down by hanna, peak time madness. a2. finds chris track the colonel, another furiously paced peak time track laced with a seriously evy sequenced based line straight outta detroit.

2015 has been a huge year for dj-kicks, marking both 20 years of the series as well as our 50th release. but far from slowing down, we’re already looking ahead to another incredible mix from one of our favorite artists. over the past decade, seth troxler has become a visionary and authentic voice in dance music, his jovial personality cutting through the noise and continually playing by his own rules. growing up between detroit and chicago, his musical education carries enviable credentials, with his stepdad a local radio personality who championed the early sounds of house music. true to troxler’s character, the mix has a whimsical nature and a thoughtful and timeless narrative, bearing a tenacious episode for the dj-kicks series that gives a true insight into the man behind the well-preened moustache and cowboy antics.
the double vinyl with 8 unmixed tracks includes the dj-mix on cd.

2nd album from gary numan & tubeway army from 1979. vinyl re-issue, mastered from hd digital 96/24 transfers of analogue tapes.

one-take ambient instrumental travels, composed in strict committee by the trio of kevin blagg, william suran, and dante carfagna. recorded spontaneously in rural arkansas, bulging sub-woofers lope through fissures of skeletal banjo and pitched down pedal steel, while delicately arranged basins of synth and guitar reverberate, providing a steady stream of granular epiphanies. utterly faded, yet still possessing crystalline clarity, these twelve songs continually attain summits rarely reached within the span of four-minute transmissions.

new london imprint fancy human present their second release by label head leigh morgan with three sublime deep house jams with a fantastic remix by man of the moment fritz wentink, here are the tracks on the release broken down

l.a. based funkateer moon b is bringing his hazy cosmic funk-jams to the pulp imprint. measure pleasure is a slice of heavy synth laden otherworldly machine funk that is sure to evoky a vary of sentiments. with remixes by the swede golden ivy and briton fudge fingas, the 5th installment of the pulp series is promising to be a melodious trip down funk avenue.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

shadow hides you brings with tar 1337 the heat on the dope ass atomic tango ep!

first part of the ace new a made up sound double drop on his own label. two pieces of his signature stutterfunk with the machines slowed down to a midtempo drift. stumbling on the a-side, slamming on the b-side. highly recommended.

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

it gives us great please to present subb-an’s first solo release on 20/20 vision. since his joint release with adam shelton 4 years ago, we have been very keen to get him involved on a solo release and the time is now! since he arrived on the scene he has since gone on to become one of its biggest players, with a constantly jam-packed tour schedule and a loyal fan base. this is all down to his considered dj sets, and trademark groove & appeal that accompany all of his productions.

embryonic ep by columbus, oh artist titonton is brought back to the forefront exactly 20 years after its original release on metamorphic recordings. 4 tracks of that warm and deep midwest techno like nobody else can do it. titonton s totally unique style has definitely withstood the test of time, and like most music created independently of trends it will always sound fresh. we re living in the times that this music was created for and later on down the road when space djs play these cuts from the orbital terrace, it will be for their times too. out of print since the initial pressing it has now been remastered from the original studio tapes for optimum sound quality.

killer ep in fresh, stripped down, dubbed-out, half-stepping drum & bass mode.

new x-masters! after the massive nicholas/morning factory release its finn gold with the 2nd x-masters. finn gold resisted his routines and started working on some other music... opening track is a briliant cover version of the classic atmosphere. pretty bold to cover such a classic, but finn gold nailed it! flip side gives 2 other excellent 90s inspired tracks for the body and soul. pretty amazing release!! recommended.

vinyl only ep! no.4 on taverna tracks comes from nycs own alix alvarez delivering four boogie down house cuts!

rawax welcomes manooz to the family! manooz is a man on a mission. throwing down the sort of jackin house music that sounds like it was made with sweaty basements firmly in mind and still with a nod to his hip-hop roots, the manooz sound is making a firm impact on the global house music community. he constantly delivers a wide spectrum between raw & analog detroit/chicago/garage house and sophisticated warm deep house.

500 only, tresor records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. three of the finest in this collection were albums contributed by surgeon, * basictonalvocabulary*, * balance* and * force + form* all originally came out on the berlin institution between 1997 and 1999. surgeons inimitable combination of detroit techno and post-industrial sounds emanating from his british homeland found its fullest expression in these masterful trio of releases on tresor. the balance remakes 12” accompanied surgeons second tresor album in 1998, with additional versions as well as a remix by long-time birmingham collaborator mick harris.

no longer one of denmarks best kept secrets, holtougs talent is firmly out of the bag as he touches down on hafendisko with the yearning ‘stay in love - a tune worthy of comparison in feel and tone to Âmes smash 2012 remix of ry & frank wiedemanns ‘howling. marrying the drive and energy of dance music to the singer-songwriting sensibility of his indie roots, its a delicious mélange, intense yet featherlight, booming yet ethereal: an intricate and playful soundworld characterised by breathy pads, deft percussive flourishes and a swooping, swooning bass that basks in all its glory on the accompanying instrumental version.

2015 marks the 40th anniversary of the production of the black fairy album. holy grail jazz funk chicago musical reissued for the first time. original first edition artwork in hand made tip-on sleeve.

devoted to the art of movement is the first record from nss (no spiritual surrender) a duo formed by j.c. (ahd co-owner together with damian schwartz) and kastil this e.p. centers it s attention towards electro, but continue ahds heritage of giving a twist to those 90s sounds that influenced us so much, from early idm to detroit, all is present here. the opening track is the one that gives the ep it s name, an acid stomper build around an electro beat that builds up and down fiercely. the track maintains its tension throughout its whole length by building strings and arpeggios over its acid sequence, never transferring its beat to a straight kick, capturing the attention since its first second. proposed playground is build around a more steady electro beat, strings and sounds merge themselves around the beat to create a beautifully hypnotic piece where where some background melodies tickle our ears bringing memories from idm golden years. zero one is closing track, without leaving the electro rhythms the defined the whole ep the track is build around a phrenetic synth sequence that sets the path for the whole length, rhythms are rough and strong and its syncopated hitting adds emphasis on that frenzy atmosphere since its first second till the last.

flangers opens with the dark, gravelly, brooding, and heads down techno of the title track - a lengthy, spacious workout which manages still to cut a deep groove despite it s direct driving force. similarly, beast paces itself, slowly unfolding all of its treasures as it grows, swells and shapeshifts over the course of just over five minutes of sustained tension. on the flip, two heavyweight producers step up to the remix: germany s markus suckut and dutch producer, jeroen search. suckut s interpretation of flangers keeps much of the understated groove and tension of the original whilst dipping it in a more shrouded cloak of murky techno. jeroen search on the other hand pitches up the pace with a crisp, high-hat driven dive into the deep

no tag no food’ is the third 12-inch from philadelphia-based artist m//r (magnetic resonance) and his first on details sound. after releasing 2014’s well-received ‘gathering response data ep’ on great circles imprint and a single on ron morelli’s l.i.e.s., m//r is back with a strong bundle of four tracks, steadily making his mark on the scene of contemporary techno. this record is a proper electronic weapon, from the slowed down pounding impulse of total burner ‘no tag no food’ to the suspended rhythm of atmospheric idyll which brings the listener into a gravity-free dimension.

super bassheavy minimal hypnotic groover !! , vinyl only release
he is young, he is from bulgaria and he has a big passion for music. having previously released music only on his own label, this is his first venture into the outside world. genial gladly welcomes on board stefan dichev.
his desert brothers ep, consists of 3 tracks, hide, withdrawal and, of course, desert brothers. it’s not easy to classify the ep in a specific music genre. all 3 tracks have a very distinctive drums programming and groovy bass. they could be easily played in a big club during the peak time of a set or at a dark basement during the after hours. they have this strange deepness that calms you down but at the same time the first kick after the break easily gets your fist up.
here at the genial headquarters, we always try to find the balance between things, people, relationships, music and maybe stefan dichev has just done that with his desert brothers ep… he found the balance!

razor-n-tape welcomes chicago native chrissy into the disco fold with an ep that gets down and dirty in all the right places. as a journey through various underground dance sounds, this record covers some serious ground - from uptempo space disco, to slow-chugging 70s r&b, and even an official edit of a dance mania housey freak-fest on rag tyme s fix it man. jump on it!

subosc ltd is glad to announce its first release: the sublabel will feature a limited number of vinyl only releases during the year. from the musical perspective it will follow the same concept of the main label, which is focused on timeless detroit/dub techno.
already known for his works on labels such as clft and monnom black, well received and supported by the worldwide scene, the italian artist kaelan signs this first ep demonstrating his effort in delivering classy and timeless techno with a detail oriented attitude.
on the a side, *odissey* is an intense rhythmic techno burner filled with emotional pads, while on the b side *displace* entails a sustained-tempo detoxifying/explorative approach, with classic and detroit influenced pads. as remixers, zadig (construct re-form) re-interprets *odissey* incorporating dense and melancholic atmospheres without any groove loss, while plural (metroplex / separate skills) offers a stripped down version of *displace* with his essential signature sound. enjoy !

up first is gigolo, a spare and weird house cut with sine waves and random claps, hunched drums and trippy synth lines. it s a unique track made in a unique way and will lead to plenty of freaky dance floor moments, for sure. co. art is a whacked out techno cut with slap-funk claps, blistering and blistered synth lines and a rugged bit of bass underlining it all. the track is cavernous and metallic, empty and distant as if it somehow survived a nuclear blast. on the flip, alzheimer is a slow and gurgling, swampy techno number with broken drums and crawling synths that sound like their batteries have run down. icy, watery melodies eventually rain down, but the track remains resolutely eerie. last of all, fabric is another decaying track with subtle, heavily filtered synths and drums all making for a minimal groove that is barely there.

is it balearic? latest offering is from klik records man glass coffee. disclosures is a hypnotic slice of european deep house. laid back electric pianos and marimbas layered over a tight house groove. dance naked the second track follows the same kind of pattern upping the tempo slightly,building slowly towards a deep bass drop and arped string line. again more trademark layers. full on dancefloor action. the b-side brings one of the greatest italian house producers ever to iib. don carlos remix is really something special. a relentless subby double bass sounding b-line relentlessly underpins this delightfully atmospheric excursion into deepness. the coyote remix slows down the pace and dons its flip flops for a little tropical shuffling. iib hitting the spot again.

the 1987 debut album from primal scream back on 180 gram vinyl, including download code.

the new chvrches album on white vinyl. comes in gatefold sleeve with download code included.

lp with printed deluxe sleeve - original sound track of sundance film festival award indie movie *the summer of sangaile*, music written by j.b. dunckel (one of the 2 air members - his solo name also being darkel). pressing on translucent 12 inch vinyl.

h-productions proudly presents >funkhaos< by cari lekebusch. this follow-up release moves on right where the previous vinyl-only release >return to base< (hyb027) ended. both tracks are maintaining the same stripped down, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. if it needs more than 2 hands - then cari prefers not to do it. the retro sounding audio-pictures of >funkhaos 1 & 2< are intentionally created with the various h-productions releases in mind, that came out around 1993-1997. cari has since the beginning of the 1990s been releasing a steady stream of music on all types of formats, and to mark a reset - he is morphing the grid once again and is continuing the hyb vinyl catalog that shifted into the hp and hpx catalogs around 1997. take good care and see you out there! - with warm regards from stockholm

hedonism is an ethical theory that pleasure, in a sense of satisfaction of desires, is the highest good and proper aim of human life, and this seems to also be hdnsm’s ultimate musical objective. their first release debuted as a kickstarter of “variant ep” v.a. series, showcasing three very different yet highly contemplative creations from cumsecade, anestie gomez and man spider. hdnsm flips the coin and for the second episode of “variant” series it lands on two very solid, incredibly moody and extensive works from fresh talents shcaa and cleymoore. the ep features two very different tracks yet they share the same minimalistic core. both works are blessed with intricate micro-drum arrangements for those feeling groove hungry whilst still standing tall in the experimental abstract realm pleasing those who crave unusual frequencies. a-side’s “masquée” is one of shcaa’s typical rides between sound and silence and it is hard to find another artist who understands sound gaps between grooves better than shcaa does. with his signature vocals and an incredibly delicious duality between acoustic instrumentalism and electronic slamming, this is a groovy, highly deep, very intelligently arranged piece. the flip-side “nebula”, signed by pluie/noir’s boss cleymoore, is a tip of an iceberg when it comes to the art of stripping down. in an apparently thin canvas of minimal drum arrangements there’s a vast amount of sound frequencies underneath a steady ever-kicking groove, tricking your mind into thinking that you’re hearing less than you actually perceive. nebula is hypnotic and dense but focused and sophisticatedly groovy. like the repetitive vocals you’ll hear throughout the b-side, this v.a. sticks to your mind like an addiction of some sort and pushes hdnsm to a new standard of avant-garde and forward-thinking attitude. as before, this vinyl only release comes in a gorgeous cover featuring a painting from max binski and the number of copies available is limited

from a basement studio in hackney, east london comes payfone s 2nd release on golf channel - quarantine b/w padre, pray for us. following on from 2014 s extremely well received paradise heater, payfone continue down a similar path for the a side quarantine. featuring once again 24 year old vocal powerhouse louis howard jones, quarantine is a semi auto biographical take on the hardships of a an underprivileged youth, set against a tough phil passera production that sounds more new york city 1984 than new port county 2004 (jones was born and raised in cardiff). cruising at 120 bpm, the dark funk guitar intro gives way to some heavy slap bass and deep synth that touches michael jackson s thriller before the direct and brutal vocals of jones hit you right between the eyes. padre, pray for us is a bizarre afro-cuban inspired homage to passera s italian father sergio ( who s telephone call can be heard on the songs intro). featuring the lethal trumpet of former cuban military private eikel venegas hernandez, this instrumental takes you to the pinata party via downtown lagos. golf channel every time !

invisible inc s third release departs in yet another direction as they dig through the archives of 80s new wave/psych funksters the poncho brothers. apparently these three previously unreleased killer beats were recorded between 1987 and 1990 and then forgotten about, only for a cassette to find its way into label boss gk machine s hands during some drunken tequila-fueled nights on holiday in mexico in 2012. fully remastered from the original tapes these no wave, disco funk dubs are firmly rocketed into the 21st century with ny s zoovox duo s stripped down stellar remix of amantes latinos. getting plays from daniele cosmic baldelli, jan schulte, dj kaos, kirsty p. + more.

label honcho continues to break down detroit techno walls with a 4 track ep of bass shots and analog rhythms. pressing on orange coloured & black marbled vinyl.

with its eighth release, leipzig-based holger records introduces yet another new artist: vai has been active in the scene for a few years already, with various production teams and aliases. his new project is heading for a different path though: son of idaia is his most intimate work to date, a highly personal record. the elements in use are almost fragile, winding around each other and hard to grasp. so is the music: in between ambient, electronica and ghostly techno it seems removed from its club origins and yet still reverberating these roots. a deep trip down the rabbit hole, dubby, immersive and glowing in all its calm beauty. holger 8 introduces a new line of cover artworks, courtesy of lukas mehling.